Last night I attended an event of the Academia Norteamericana de la Lengua Española (ANLE), the United States branch of the Real Academia Española. The event was the induction ceremony for ANLE’s newest member, Eduardo Lolo, a professor at CUNY’s Kingsborough Community College.
For this linguist, the event was Spanish hog heaven. First, ANLE’s General Secretary, Jorge Covarrubias, introduced the inductee. Sr. Covarrubias is from Argentina, and his cadences were delightfully Italian. (In case you didn’t know, some 70% of Argentinians have Italian blood, and the Spanish there shows definite Italian influence.) Prof. Lolo then spoke. He is from Cuba and his Spanish sounded completely different from Sr. Covarrubias’s. Understanding him was at first rough going for this non-native speaker, but I got the hang of it after a few minutes. Finally, ANLE’s director, Gerardo Piña-Rosales, critiqued Prof. Lolo’s presentation. He is from Spain, so this was yet another accent, one that I am more familiar with.
All three men spoke beautiful, erudite Spanish, elegant yet crisp and communicative. It was a treat to hear these three different accents produced at such a high level of linguistic sophistication.
I shouldn’t neglect to say that the subject of Prof. Lolo’s talk, and Sr. Piña-Rosales’s critique, was children’s theater, a topic that I knew nothing about, and in fact had no idea had been the topic of academic research. Now I know a little more, and am impressed with how rich the subject is.
Lo pasé muy bien; gracias, ANLE.